A petition signed by 2,000 Israeli artists has exposed the censorious instincts of the Israeli state, epitomised by its new Culture Minister Miri Regev. “CULTURE CLASH” CONTINUES AS MINISTER REGEV TAKES FURTHER AIM AT ARTISTS A war of words between Israel’s new Culture Minister Miri Regev and a group of leading Israeli artists continued yesterday over…
Discussion with The Freedom Theatre from Jenin As the Freedom Theatre’s first ever UK tour draws to a close, we are proud to be able to post a short film (27 minutes) offering insights into the experience of members of the company, and also the audiences who have flocked to see The Siege at 10 venues from…
Let audiences be the judge of Palestinian theatre on UK tour (NB this original text differs slightly from the version published by the Daily Mail on May 8) As theatre practitioners in Britain, we are alarmed that the Daily Mail is attacking the Arts Council and the British Council for supporting a UK tour by…
This piece by Asa Winstanley, originally published on Electronic Intifada, explains how Southampton University came to cancel an academic conference about Israel’s legal status following a campaign of vilification by pro-Israel lobbyists, including members of the Conservative-led UK government. Letters from playwright Caryl Churchill and academics Hilary and Steven Rose contested the cancellation in the…
Sajid Javid’s comments on Israeli sponsorship ‘breached the principle of an arms-length relationship between the government and the arts’, writes Caryl Churchill – UK playwright, and Artists’ Pledge signatory. Two letters defending academic and artistic freedom from bullying and censorship by the Israel lobby were published in the Guardian, Monday 6 April 2015 • In late March we…
Earlier this month, a piece by artist and critic, Steffen Zillig appeared in the German Magazine, art – Das Kunstmagazine (‘The Art magazine’), where he is also editor. Zillig attacks the artists who in February signed a Pledge for Palestine. His piece contains no new charges worth refuting; however, the familiar antisemitism smear – delivered in a particularly aggressive…
An artist based in Wales whose work on the Nakba was censored following complaints from local Zionist groups, has said the actions ‘amount to the defacement of a piece of art and a censoring of artistic expression, something that should not happen anywhere in Britain, let alone at a publicly funded arts organisation.’ James Morris wrote to the management…
Published at artnet News, Monday, March 2, 2015 In answering JJ Charlesworth’s broadside (See: The Cultural Boycott of Israel Isn’t Solidarity, It’s Condescension) against the Artists Pledge for Palestine, now signed by over 1000 British artists, we should start by recalling what the pledge actually says. Those thousand artists, and more coming in all the…
A week before we launched the artists’ pledge, Artleaks published a call by a group calling themselves Challenging Double Standards (CDS), arguing against what they term ‘the Boycott of Israeli Art and Society.’ You can read their call here. Subsequent to our launch, some of the UK arts press linked to the CDS call in…
The antisemitism smear was the anticipated response of Israel’s apologists to the artists’ pledge for human rights. Indeed that is what makes signatories courageous individuals. What was feared but less anticipated was the extent to which that smear would be sharpened – and then given a platform in the mainstream press – to hold pledge signatories responsible for the deadly targeting of Jews.
My name is Abdelfattah Abusrour. I am director of Alrowwad cultural and theatre training society, which I founded with a group of friends in 1998 in Aida refugee camp in Bethlehem, Occupied Palestine, where I was born, to create a safe space of beautiful expression, a philosophy that I call beautiful resistance against the ugliness…
As can be seen on our page, Resisting Bullying and Censorship, artists and arts organisations in the UK have been subjected to all forms of pressure and threats in an attempt to get them to conform to a pro-Israel agenda – the result frequently being censorship of important cultural works. Below is a flavour of…
In the week following the publication of our letter announcing the launch of the artists’ pledge, the Guardian published several responses – on the letters page, and in Comment is Free (CiF). Of nine published letters, three were supportive. Our riposte (below) went unpublished. Novelist Kamila Shamsie’s piece on why she signed the pledge was easy to miss:…
Jonathan Chadwick – artistic director of Az Theatre, and a Pledge signatory – has written a blog post about his recent trip to the West Bank, which we think is worth sharing: I went to Palestine on Saturday 7th February and came back on Sunday 15th February. I failed to get into Gaza to pursue the work…
On Saturday 14 February, a 600 word piece was published in the Guardian Saturday Review by novelist and pledge signatory, Kamila Shamsie, which we reproduce in full here: It doesn’t take long in the West Bank and Jerusalem to work out that ‘apartheid’ is the only word that will do. It is present in the extensive infrastructure…
Guardian letters Friday 13 February Along with more than 600 other fellow artists, we are announcing today that we will not engage in business-as-usual cultural relations with Israel. We will accept neither professional invitations to Israel, nor funding, from any institutions linked to its government. Since the summer war on Gaza, Palestinians have enjoyed no respite…
Wadi Fukin, a small Palestinian village, over which towers the illegal settlement of Beitar Illit. The village mayor has said the Israelis ‘have this plan [to make] Wadi Fukin like an island. They want to build a new settlement to the south of the village, it’s like a link between Beitar Illit and [another settlement]…
Jonathan Chadwick is artistic director of Az Theatre: The aim was to visit my colleagues in Gaza in order to pursue our project to create an original new Arabic stage adaptation of Tolstoy’s War and Peace in Gaza. Now it looks quite unlikely that I will get permission from the Israelis. But I will still…
BACKGROUND: The case of the Tricycle In August 2014, during the Israeli bombardment of Gaza, a small independent theatre in London, the Tricycle, asked the UK Jewish Film Festival to forego Israeli embassy funding. The festival refused, walked away from the Tricycle, and briefed the press that the theatre was boycotting a Jewish festival. The theatre…