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Artists’ group tells Globe – Listen to Palestinians, don’t play Tel Aviv

 UPDATE: Globe actors defend playing in Israel “regardless of politics”
Shakespeare’s Globe theatre has ignored Palestinian appeals and the good counsel of a number of their UK peers by going ahead with their performance of Hamlet at the Cameri Theatre in Tel Aviv on March 30.
Showing  either ignorance of, or disregard for the highly politicised nature of culture in Israel-Palestine, members of the company justified their action at a press conference, stating, “It was clear to us that we would be coming to Israel, regardless of politics”  and “We try not to deal with local politics of the places to which we travel”.
As is usual when the Palestinian boycott picket line is crossed by international artists, Israeli media portrayed the Globe’s appearance as a failure for the cultural boycott movement.
This English-language news report is a prime example.
Statements made at their press conference by actors Keith Bartlett and Jennifer Lang were quoted in a Hebrew language report . Thanks to Ofer Neiman for the following translations into English.

“We travel all over the world, and politics is none of our business”, said Keith Bartlett (playing Polonius), adding “We are here to tell a story, and it is exciting to see how it is received everywhere we perform. It was clear to us that we would be coming to Israel, regardless of politics”   

Jennifer Lang (playing Ophelia): “We intend for this tour to tell its story to as many people across the world. Any viewer who is not a regular viewer of the Globe is an addition for us. We try not to deal with local politics of the places to which we travel”.
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SHAKESPEARE’S GLOBE TOLD “DON’T GIVE THIS PERFORMANCE IN ISRAEL”

Why has Shakespeare’s Globe added a performance at Israel’s Cameri theatre  on March 30 to the tour schedule for its production of Hamlet, in breach of the boycott of institutions that reinforce the oppression of Palestinian artists and their communities?

This is the question addressed on Friday (March 25) to artistic director Dominic Dromgoole, as his ten year stint at the celebrated London theatre draws to a close, in an open letter signed by British and Palestinian theatre professionals.

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Image projected on the Globe’s iconic riverside building by activists taking part in a protest organised by inminds.com in London on Friday

In 2012, 37 actors, writers and directors protested the fact that Shakespeare’s Globe had invited Habima, the national theatre of Israel, to take part in its Globe to Globe festival.   The specific ground for the protest was that Habima regularly performs in Ariel, the largest of Israel’s illegal settlements in the Occupied Territories.   A letter signed by the 37, including Mark Rylance who was Dromgoole’s predecessor as artistic director at the Globe, attracted considerable media attention and gave impetus to the cultural boycott campaign which is now supported by growing numbers of artists in all fields.

Flyer used during the protests against Shakespeare's Globe hosting Habima in May 2012

Flyer used during the protests against Shakespeare’s Globe hosting Habima in May 2012

Four years on, the management of the Globe can be in no doubt that adding the Cameri theatre to its schedule attracts at least as much opprobrium as the invitation to Habima in 2012. Continue reading

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Roger Waters’ horror at French criminalisation of pro-Palestinian boycott


Musician Roger Waters speaks out against the criminalisation in France of non-violent boycott in defence of Palestinian rights. We reproduce his letter, picked up from a French news agency by the website Mondoweiss.
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Mes Cher Citoyens,

Along with most thinking, feeling and compassionate members of global civil society, I deplore the occupation of Palestine and the subjugation of all of its non-Jewish peoples. The State of Israel’s anti-Palestinian discrimination since 1947/8 is unacceptable.

I am anti-racist, anti-colonialist, anti-war, anti-oppression, and anti- discrimination.

Continue reading

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Art and Occupation: Boycott Zabludowicz

Every document of civilisation, wrote Walter Benjamin, is also a document of barbarism. He could have had the corporate-sponsored London art scene in mind – and in particular the Zabludowicz Collection, now a strong presence in London, as it is in New York and Helsinki. With the growing influence of Zabludowicz, art and the occupation of Palestine are becoming more closely linked – a linkage which artists are now challenging.

Continue reading

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PACBI STATEMENT – Art should not be used to cover up apartheid: Boycott the Zabludowicz Art Trust!

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) has issued the following statement about the Zabludowicz  Art Trust.

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Art should not be used to cover up apartheid: Boycott the Zabludowicz Art Trust!

Occupied Palestine, October 26, 2015 — The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) calls for a boycott of the Zabludowicz  Art Trust for its deep complicity in Israel’s regime of occupation, colonization and apartheid.

The Zabludowicz Art Trust directly supports Israel’s oppression of Palestinians through its funder, The Tamares Group, which is responsible for investments in Knafaim, an Israeli­-based holding company, focused on the aviation industry, with major holdings in several Israeli companies including Kanfey Tachzuka, which provides maintenance services to the Israeli Air Force[1], notorious for its ongoing commission of war crimes against Palestinian and Lebanese civilians. Continue reading

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ARTISTS’ VERDICT – CULTURAL BRIDGES WITH ISRAEL LEAD NOWHERE

Like the staircases at Hogwarts, Israel's cultural bridges can lead interminably to nowhere

Like the staircases at Hogwarts, Israel’s cultural bridges can lead interminably to nowhere

The appearance last week of some famous UK cultural names on a statement defending Israel against boycott has sparked a wave of incredulity and outrage from fellow artists.

Artists, actors, writers, editors, musicians and filmmakers are among those queuing up to defend the boycott tactic after JK Rowling, Hilary Mantel and historian Simon Schama joined well-known pro-Israel lobbyists in attacking it. Rowling and co urged cultural ‘coexistence’ and ‘dialogue about Israel and the Palestinians’ and called the Palestinian boycott campaign “divisive and discriminatory”.

“It is Israeli policies towards Palestinians which are divisive and discriminatory,” said actress Miriam Margolyes, one of more than 1000 UK artists who have signed a commitment not to cooperate with Israeli state-funded cultural institutions as long as Palestinian rights are denied.
“Artists used the tactic of boycott against apartheid in South Africa and we are doing it again in support of Palestine– because no one else is holding Israel to account,” she said.

Composer Brian Eno, one of a number whose letters were published in the Guardian on October 27, said he appreciated the desire for dialogue, “but what kind of dialogue is realistically possible between a largely unarmed and imprisoned people whose land is disappearing before its eyes, and the heavily weaponised State that’s in the process of taking it.”  Continue reading

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Brit band alt-J spurns Palestinian boycott, lifts spirits of Israel’s apartheid soldiers

This piece by Times of Israel founding editor David Horowitz perfectly demonstrates Israel’s desperate need for cultural nourishment from abroad to sustain its armed dominance over the Palestinian people.

The Indie band alt-J, from Leeds in northeast England, ignored weeks of appeals from pro-Palestinian campaigners and broke the boycott  to  play two nights in Rishon Lezion just south of Tel Aviv on August 23 and 24. Horowitz’s purple prose exalts the audience who had flocked to the concert as “young Israel — army kids and post-army kids and tomorrow’s army kids”.

Alt-J were providing much-needed R&R for the soldiers who had decimated Gaza a year earlier and will do so again if called upon. It would be hard to find a clearer justification for the Palestinian cultural boycott campaign urged upon those who wish to see an end to Israeli apartheid.  (For a more prosaic write-up, see this piece in the Jerusalem Post .)

“ISRAEL’S BEAUTIFUL YOUTH LIFTED BY THE GOSPEL OF ALT-J
An English band’s soaring harmonies strike a chord with the soldiers of a year ago and tomorrow. Continue reading

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“Make Apartheid History” connects Palestine, South Africa and US civil rights

Artists for Palestine UK is proud to be a partner in this new initiative .

It’s time to ‘Make Apartheid History’ starting Mandela Day, Sat 18th July, 2015

Make Apartheid History, the follow-up to Bethlehem Unwrapped, launched online on Saturday 18th July, and we held our first event at London’s Southbank with a programme of poetry and prose linking civil rights, anti-apartheid, and Palestinian solidarity movements.Edited highlights of performances by Paterson Joseph, Miriam Margolyes, Kika Markham, Leila Sansour, Jeremy Hardy and Sam West are here.

Make Apartheid History is an international project that brings together creative individuals, organisations and networks from around the world – starting with Palestine and the UK; South Africa and USA – for a programme of popular events commencing summer 2015 and culminating Mandela Day, summer 2016. Our short introductory video is here. Continue reading