NEWS RELEASE – Actors, writers and directors denounce demonisation of Palestinian theatre

Let audiences be the judge of Palestinian theatre on UK tour
(NB this original text differs slightly from the version published by the Daily Mail on May 8)

As theatre practitioners in Britain, we are alarmed that the Daily Mail is attacking the Arts Council and the British Council for supporting a UK tour by a Palestinian theatre company.

Your piece, with its inflammatory title UK taxpayers fund ‘pro-terrorist’ play, cites “concerns” from the Board of Deputies of British Jews, an organisation with a shocking record of acting to suppress both cultural and academic events which explore the bitter reality of Palestinian existence. Only last month the University of Southampton succumbed to demonisation and threats and banned an academic conference on the legal status of Israel.

Neither the Daily Mail nor the Board of Deputies has seen Freedom Theatre’s play The Siege, yet both somehow feel qualified to suggest that it is “promoting terrorism”. Not for the first time, Palestinian voices are in danger of being drowned out by a vociferous pro-Israel lobby that smears all Palestinians as terrorists and antisemites. This lobby wants us to believe that theatre-goers in the UK cannot be trusted to hear these voices and make their own judgements.

The Palestinian West Bank, where the Freedom Theatre is based, has been under illegal Israeli military occupation since 1967. We endorse the words of British playwright Howard Brenton, an honorary director of the Freedom Theatre, who writes of the forthcoming tour:

“This is real political theatre, performed out of the both terrible and inspiring experience of a struggle for freedom and justice. [The Freedom Theatre] are living proof that telling stories and entertaining audiences are powerful acts of resistance to oppression. Do go and see them, they have news for us.”

Caryl Churchill
Dominic Cooke
April De Angelis
David Edgar
Lucy Kirkwood
David Lan
Miriam Margolyes
Paul Mayersberg
Maxine Peake
Mark Rylance
Jennie Stoller
Mark Thomas
Samuel West Continue reading

UK High Court backs shutdown of Israel conference

This piece by Asa Winstanley, originally published on Electronic Intifada, explains how Southampton University came to cancel an academic conference about Israel’s legal status following a campaign of vilification by pro-Israel lobbyists, including members of the Conservative-led UK government.

Letters from playwright Caryl Churchill and academics Hilary and Steven Rose contested the cancellation in the Guardian newspaper.

UK High Court backs shutdown of Israel conference

The High Court in London on Tuesday upheld the decision of the University of Southampton to cancel at the last minute an academic conference related to Israel, after speakers were deemed “controversial” by critics.

Israel lobby organizations (including the Zionist Federation and the Board of Deputies of British Jews) had called for the conference to be canceled because critics of Israel like Ilan Pappe and Nur Masalha were due to present papers.

But those opposed to the conference (including Conservative former education minister Michael Gove and current communities minister Eric Pickles) ignored the fact that supporters of Israel were also due to speak at the conference. These included Alan Johnson of the Britain Israel Communications and Research Centre and the ultra-right-wing Zionist historian Geoffrey Alderman.

Alderman last week used his regular platform in The Jewish Chronicle to argue that the Israel lobby had made a “massive own-goal” in getting the conference canceled since it would just make the pro-Israel argument look weak and unable to withstand scrutiny.

The conference, “International Law and the State of Israel: Legitimacy, Responsibility and Exceptionalism,” scheduled for this weekend (17-19 April), had been more than a year in the planning.

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Welsh gallery censors exhibition on historic Palestine after complaints by Zionist groups

An artist based in Wales whose work on the Nakba was censored following complaints from local Zionist groups, has said the actions ‘amount to the defacement of a piece of art and a censoring of artistic expression, something that should not happen anywhere in Britain, let alone at a publicly funded arts organisation.’

James Morris wrote to the management of Clwyd Theatre Cymru, after a decision was taken – without consulting the artist – to remove the captions accompanying his photographic series, Time and Remains, during the final week of a six-week exhibition at the theatre’s Oriel Gallery. In his letter to the Welsh theatre, he informed them he would be cancelling his scheduled artist’s talk on Friday 6 March, adding that ‘Any talk or public debate which could now take place would have to focus on what my exhibition has become, a censored art piece. It would have to be rescheduled and readvertised as such.’

The series, also known as ‘That Still Remains,’ documents the ‘scattered remains from across the country of the now historic Palestinian presence in much of Israel’s landscape.’ Morris is an artist and not a campaigner or activist. He writes in his introductory text the history that give his photographs their meaning:  Continue reading