Israel’s officials wasted no time in reciprocating Nick Cave’s declaration of love for Israel, made at his recent press conference there. Today, leading writers have responded to the musician and author’s claims about the Boycott, Divestment and Sanctions (BDS) movement. These statements, published below, follow responses from artists including Brian Eno and Roger Waters.
Roger Waters, Ken Loach, Caryl Churchill and Thurston Moore are among many leading artists calling for London’s celebrated Roundhouse to cancel its involvement with a festival designed to promote Israel as a progressive and liberal destination with a ‘glittering’ capital city.
TLV in LDN is supposedly a celebration of culture, but its director Marc Worth has revealed in an interview that the festival is the dream child of Israel’s diplomatic mission in the UK, and was conceived in response to the growing movement for boycott, divestment and sanctions (BDS). BDS seeks to highlight Israel’s systemic violation of Palestinian human, civil and political rights. Continue reading
- Haaretz: ‘Former Pink Floyd bassist signs an open letter telling the electronic duo to not be fooled by Tel Aviv’s cool vibe while a different petition accuses artists who perform in Israel of whitewashing apartheid.’ (November 5, 2016)
Report in the Guardian: ‘Former Pink Floyd man joins campaign alongside Caryl Churchill and Maxine Peake seeking a cultural boycott to promote better treatment of Palestinians’ (November 2, 2016)
- Report in Pitchfork: ‘Roger Waters, Thousands More Petition the Chemical Brothers to Cancel Tel Aviv Show’; and here in NME magazine and MixMag (November 1, 2016)
- In an interview with Israeli media Chemical Brothers deny they are asked to boycott Israel despite over 7,000 people asking them to do just that. They are quoted as saying ‘pressure was not applied to us. We will go to any place where young people want to see us playing. We are not really involved in all the rest’. Needless to say, if the controversial concert goes ahead, fans in the occupied Palestinian territories will not be able to reach it due to ‘all the rest’. (October 29, 2016).
- More than 7,000 people sign a petition asking Chemical Brothers Ed and Tom not to play Tel Aviv! (October 28, 2016)
Let audiences be the judge of Palestinian theatre on UK tour
(NB this original text differs slightly from the version published by the Daily Mail on May 8)
As theatre practitioners in Britain, we are alarmed that the Daily Mail is attacking the Arts Council and the British Council for supporting a UK tour by a Palestinian theatre company.
Your piece, with its inflammatory title UK taxpayers fund ‘pro-terrorist’ play, cites “concerns” from the Board of Deputies of British Jews, an organisation with a shocking record of acting to suppress both cultural and academic events which explore the bitter reality of Palestinian existence. Only last month the University of Southampton succumbed to demonisation and threats and banned an academic conference on the legal status of Israel.
Neither the Daily Mail nor the Board of Deputies has seen Freedom Theatre’s play The Siege, yet both somehow feel qualified to suggest that it is “promoting terrorism”. Not for the first time, Palestinian voices are in danger of being drowned out by a vociferous pro-Israel lobby that smears all Palestinians as terrorists and antisemites. This lobby wants us to believe that theatre-goers in the UK cannot be trusted to hear these voices and make their own judgements.
The Palestinian West Bank, where the Freedom Theatre is based, has been under illegal Israeli military occupation since 1967. We endorse the words of British playwright Howard Brenton, an honorary director of the Freedom Theatre, who writes of the forthcoming tour:
“This is real political theatre, performed out of the both terrible and inspiring experience of a struggle for freedom and justice. [The Freedom Theatre] are living proof that telling stories and entertaining audiences are powerful acts of resistance to oppression. Do go and see them, they have news for us.”
April De Angelis
Samuel West Continue reading
Sajid Javid’s comments on Israeli sponsorship ‘breached the principle of an arms-length relationship between the government and the arts’, writes Caryl Churchill – UK playwright, and Artists’ Pledge signatory.
Two letters defending academic and artistic freedom from bullying and censorship by the Israel lobby were published in the Guardian, Monday 6 April 2015
• In late March we had culture secretary Sajid Javid’s astonishing statement in a speech to the Board of Deputies of British Jews (reported in Jewish News) that any arts organisations refusing Israeli sponsorship will risk losing funding, breaching the long-established principle of an arms-length relationship between government and the arts. The Arts Council is supposed to be a buffer between them precisely to avoid political censorship and bullying. Now we have news (1 April) of the cancellation of the University of Southampton’s conference on international law and the state of Israel after protests from the Board of Deputies of British Jews and the Zionist Federation UK. All Charlie Hebdo? Except when freedom of expression means freedom to criticise Israel.
• We note with regret that the University of Southampton has shamefully capitulated to pressure from the pro-Israel lobby and cancelled an international academic conference. The university claims to have acted on police advice that they cannot guarantee security against threatened demonstrations. Where was the threat to public order? How could a conference, predominantly of lawyers discussing complex legal issues concerning the legal status of Israel and its boundaries, be a threat? Or are we to conclude that pro-Israeli demonstrators are such violent opponents of academic freedom that the police cannot contain them?
Prof Hilary Rose, Prof Steven Rose
Jonathan Chadwick – artistic director of Az Theatre, and a Pledge signatory – has written a blog post about his recent trip to the West Bank, which we think is worth sharing:
I went to Palestine on Saturday 7th February and came back on Sunday 15th February. I failed to get into Gaza to pursue the work on War and Peace.
Caryl Churchill and I worked on her recent play, Love and Information, at Ashtar Theatre. The British Council accommodated us. The Royal Court Theatre provided finance for the translation. We paid for the travel and did the work for free. It was our contribution, like planting a play in Palestine! Continue reading