Artswatch Palestine: September – December 2019

Our digest of news from Israel’s cultural war against the Palestinians 

Cádiz – and London

On December 20th the press office of the City of Cádiz announced that the Cádiz Court (Juzgado de Instrucción número 1 de Cádiz) had dismissed a case brought by the pro-Israeli organisation, ACOM against the Council’s decision to cancel a festival of Israeli films, organized in collaboration with the Israeli Embassy in Madrid and set to take place in a municipal building.

The court’s decision overturns an earlier ruling. In making it, Judge Maria del Carmen Fornell found that ‘the suppression of the Israeli film cycle does not rest on antisemitic motives or exclusion on the grounds of nationality, nor does it demonstrate contempt for elementary norms of coexistence or dignity of the person.’

Responding to the decision, the Mayor of Cádiz, José María González, said that the cancellation of the film festival was ‘not an act of hate, but an act of love and respect for Human Rights, framed in defence of the freedom of the Palestinian people, in the rejection of the illegal Israeli occupation and apartheid.’

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Artswatch Palestine: April – August 2019

Our digest of news from Israel’s cultural war against the Palestinians 

Our findings suggest that sniper bullets manufactured by Sierra were used by the Israel Defense Forces (IDF) against civilian protesters in Gaza in 2018″
Forensic Architecture, May 2019.
photo: Natchez Shooters Supplies

Art and Power

The submission of the research group Forensic Architecture to the 2019 Biennial at the Whitney Museum in New York included an extensive investigation into the use of tear gas and bullets manufactured by companies led by Warren Kanders, a Whitney vice chair.

The companies’ products had been used against migrants at the US-Mexico border wall and in other states including Bahrain, Turkey and Kuwait.

Subsequently, Forensic Architecture discovered new evidence that directly linked the weapons manufacturer to Israel’s violence on the Gaza ‘border’.  The evidence, reported HyperAllergic on 20th July, took the form of an ‘unexploded open-tip bullet in the sand surrounding the Al-Bureji protest camp near the border’The bullet was intact and matched the analysis that Forensic Architecture had conducted on ammunition manufactured by one of Kanders’ companies, Sierra Bullets.

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Artswatch Palestine: December – March 2019

*Photo: The play ‘Palestine: Year Zero’ cancelled a few days before premiere.

Our digest of news from Israel’s cultural war against the Palestinians 

A word in the mayor’s ear 

Last year, the ‘Cultural Loyalty’ Bill, which would have withdrawn funding from cultural productions deemed to be anti-Israel, failed to win the approval of the Knesset.

The Bill may have died, but its principles live on. 

Ha’aretz (9thDecember 2018) reports that Avigdor Yitzakhi, head of Israel’s state-run lottery, has successfully pressured the mayor of Kabul, a Palestinian-majority town in the north of Israel, to cancel a play whose plot involves the demolition of Palestinian homes.  Performances of ‘Palestine: Year Zero’ were cancelled a few days before its first performance.

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Artswatch Palestine: September- November 2018

  • Palestinian author Susan Abulhawa (pictured) was on her way to Palestine Literature Festival when she was denied entry to her homeland,  held in a prison cell, then flown back to the United States.

Our digest of news from Israel’s cultural war against the Palestinians 

Dareen Tatour

Dareen Tatour, Palestinian poet and citizen of Israel, was released from prison on September 20th. She had spent almost three years in jail or under house arrest. Her ‘crime’ was to post one of her poems on Facebook –  ‘Resist my people, resist them’.  In July this year, she was finally sentenced, on grounds of incitement to violence and support for terror organisations.   (Indictments for online incitement have tripled in Israel since 2014.)

In August, Tatour entered the special wing of Damoun Prison. She was classified as a ‘security’ prisoner and denied access to her phone and the internet. Her father was at first denied permission to visit her. He and Dareen’s mother were finally allowed to see her on 5 September, after Tatour had spent almost a month in prison. She was released with a suspended sentence hanging over her, to guard against further ‘incitement’.

The Loyalty in Culture Bill

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Artswatch Palestine: April-May 2017

‘Artswatch’ is a regular digest that monitors attacks on Palestinian cultural life, creative resistance, and cultural interventions in Israel-Palestine. In this edition:
* Pinkwashing rejected
* The trial of Dareen Tatour
* The detention of Abu Sakha
* The banning of International Women’s Day
* A war of aggression on Amazon
* Ten years of PalFest
* On the red carpet in Gaza
* Regev’s dress at Cannes

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One Hundred Years and Counting: Britain, Balfour, and the Cultural Repression of Palestinians

by Aimée Shalan
 

First published by Al-Shabaka, The Palestinian Policy Network, this illuminating report looks at the repression of Palestinian cultural expression by Israel and collusion and censorship here in the UK by British government ministers. It traces this relationship all the way back to the wording of the Balfour Declaration of 1917. The briefing offers an essential perspective for understanding Israel’s attempts to erase the Palestinian past and future, and proposes practical steps groups such as ours can take here in the UK to end the silencing of Palestinian voices and perspectives.

 

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