Leading lights demand Almeida Theatre cut ties with Bloomberg over war crimes

Jack Reynor, Billy Howle, Zoe Telford and Caryl Churchill are among leading lights of theatre and screen demanding Islington’s Almeida Theatre end its partnership with Bloomberg Philanthropies over its “links to human rights violations and war crimes” and in particular, its “direct and ongoing support for illegal settlements” in the occupied Palestinian West Bank.

In the letter published below, 435 theatre and arts professionals, forty of whom have current or historic links to the theatre – including former associate director Ben Harrison, actors Tamara Lawrance, MyAnna Buring and Hayley Carmichael, composer Jocelyn Pook and writer David Farr – say the issue was raised privately with the theatre months ago, but that the theatre failed to act on the information it was given.

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‘A Licence to Kill’: UK government to face High Court over arms to Israel

Award-winning actor Juliet Stevenson has released the short film, ‘A Licence to Kill’, calling on the UK government to stop providing Israel with the weapons it uses to commit what Amnesty International described last week as a “live streamed genocide” against Palestinians in Gaza.

For nearly two years, the government has avoided accountability for its actions. Now, Global Legal Action Network (GLAN) and leading Palestinian human rights organisation Al-Haq, will present their challenge to government policy at the High Court in a four-day hearing, beginning on 13th May.

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Dozens of ex-Eurovision contestants demand exclusion of Israel from contest

Britain’s Mae Muller and Bianca Nicholas joined Charlie McGettigan, Salvador Sobral and dozens of former Eurovision contestants in calling on the European Broadcasting Union (EBU) to ban Israel’s public broadcaster KAN from the popular song contest.

Over 70 previous participants, who include songwriters, lyricists and other creatives from across Europe, accuse KAN of being “complicit in Israel’s genocide against the Palestinians in Gaza”.

In a letter published below ahead of the Eurovision finals on May 17, the artists say “by continuing to platform the representation of the Israeli state, the EBU is normalising and whitewashing its crimes”.

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