Call for support for ‘Ambulance’ director Mohamed Jabaly

ARTISTS FOR PALESTINE UK STATEMENT

The Norwegian Directorate of Immigration (UDI) and the Norwegian Immigration Tribunal have refused to grant Palestinian film-maker Mohamed Jabaly a work visa to allow him to tour with his first film, Ambulance (2016), and to make a second film with his Norwegian producers, in Tromsø, Norway. Artists for Palestine UK (APUK) is shocked at this decision, calls on the Norwegian government to rescind it, and invites others to join in this call.

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Mohammad Abu Sakha: in prison for making children happy

***UPDATE Amnesty International briefing:
END ADMINISTRATIVE DETENTION OF CIRCUS PERFORMER.
“…Amnesty International fears that the Israeli authorities – as they have done in many other such cases – are using administrative detention as a method of punishing Mohammad Faisal Abu Sakha without prosecuting him, which would amount to arbitrary detention. Israel’s use of administrative detention itself may amount to cruel, inhuman and degrading treatment, given the detainee’s inability to know why they are being detained or when they will be released.” 14.12.2016


On December 12th, at a hearing that he was not permitted to attend , the Administrative detention of 24 year-old Palestinian circus trainer and performer Mohammad Abu Sakha (pictured, on  left) was renewed for an additional 6 months. Abu Sakha has been imprisonment in Israeli jails without charge or trial for a year. The following article first appeared in Open Democracy on December 9th 2016, a few days before the court hearing.

by HANNAH PRYTHERCH

One year after he was arrested by Israeli forces, Palestinian circus teacher Mohammad Abu Sakha  is still behind bars, and without charges.

I have a sense of deja-vu. One year ago, when I spent the Christmas period desperately contacting news agencies, begging them to publish a story about a friend of mine, Mohammad Abu Sakha, who had been arrested without charge, I didn’t expect that come December 2016, I would be sitting here in the same place, doing it all over again. I guess I was naïve then. I thought that others, if only they knew, would share my outrage at this injustice. And collective outrage would spark change. So all I needed to do was tell people, shine a light on the situation and it would change. A year on, I’ve learned a lot about the way in which power, politics and the personal psyche work together to facilitate and maintain social injustice. Continue reading

One Hundred Years and Counting: Britain, Balfour, and the Cultural Repression of Palestinians

by Aimée Shalan
 

First published by Al-Shabaka, The Palestinian Policy Network, this illuminating report looks at the repression of Palestinian cultural expression by Israel and collusion and censorship here in the UK by British government ministers. It traces this relationship all the way back to the wording of the Balfour Declaration of 1917. The briefing offers an essential perspective for understanding Israel’s attempts to erase the Palestinian past and future, and proposes practical steps groups such as ours can take here in the UK to end the silencing of Palestinian voices and perspectives.

 

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‘Beautiful resistance’ meets cynical culture-washing on Edinburgh Fringe

 

Best singers

Alrowwad singers. Picture by Phil Chetwynd

The Edinburgh Fringe’s renowned open platform for all forms of artistic expression produced a curious juxtaposition this year, as Palestinians deployed creativity to shatter the bonds of political repression while Israeli state apologists cloaked a discredited political message in threadbare cultural clothing.

The gulf between the two was demonstrated in the pages of Scotland’s press, the airwaves and in the streets, as well as in performance and display spaces across the city.

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Artists for Palestine UK protests Brand Israel on the Fringe

Palestinian youngsters from Alrowwad Cultural and Arts Society appearing on the Edinburgh Fringe in August

Palestinian youngsters from Alrowwad Cultural and Arts Society appearing on the Edinburgh Fringe in August.

Artists for Palestine UK has written to the organisers of the 2016 Edinburgh Fringe enclosing a letter of protest from the founder of Alrowwad Cultural and Arts Society in Aida refugee camp, Bethlehem, over the inclusion on the Fringe programme of an event billed as “probably the most significant pro-Israel advocacy event of the year in the United Kingdom”.

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Israel’s war on Palestinian media – Why no protest from the UK government?

In March 2016, Israel continued its assault on Palestinian media organisations by closing down the TV station, Palestine Today, and arresting some of its staff. The British government, so vocal at other times in its defence of ‘democratic values’, responded only with silence.  The APUK collective sent this letter to the Foreign Secretary, Philip Hammond, to request that he apply the principles that apparently underpin his government’s domestic policy, to relations with Britain’s allies overseas. We await a reply.

Israeli troops invading Palestinian radio station. Picture:Palestine News Network.

Israeli troops invading Palestinian radio station. Picture:Palestine News Network.

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Freedom Theatre defies all odds to tell their “absolutely compelling” story

Discussion with The Freedom Theatre from Jenin

As the Freedom Theatre’s first ever UK tour draws to a close, we are proud to be able to post a short film (27 minutes) offering insights into the experience of members of the company, and also the audiences who have flocked to see The Siege at 10 venues from Manchester to Hastings, Colchester to Glasgow, where the tour ends on June 20.

The play tells the story of a group of armed men who sought sanctuary in arguably the world’s holiest site, the Church of the Holy Nativity, in Bethlehem in 2002. Based in Jenin refugee camp in the West Bank, Freedom Theatre rose out of the resistance to Israeli occupation, survived the brutal killing of its founder Juliano Mer Khamis, and continues to exemplify Palestinian cultural resistance in the face of intimidation and harrassment, which even followed it to the UK.

Filmed at the post-performance panel discussion after their first show at London’s Battersea Arts Centre on May 19, the video makes inspiring viewing for supporters of Palestinian artistic expression, whether or not they have seen the play itself. Continue reading

Palestinian artists speak: boycott directed against apartheid system of occupation & discrimination

My name is Abdelfattah Abusrour. I am director of Alrowwad cultural and theatre training society, which I founded with a group of friends in 1998 in Aida refugee camp in Bethlehem, Occupied Palestine, where I was born, to create a safe space of beautiful expression, a philosophy that I call beautiful resistance against the ugliness of occupation and its violence… and to help our children and youth to see their potential as change makers, without needing to carry a gun and shoot everybody else…

In May 2002, Alrowwad theatre centre was vandalised by the Israeli army. They broke our video cameras and computers, and emptied oil and acrylic painting tubes all over the space. During our tours in the West Bank, many checkpoints forbid us passage with our theatre or dance shows and our play bus. We wait for hours, sometimes without being allowed to pass south to Hebron or to the north. No access is granted to Gaza, to East Jerusalem or 1948 Palestine.

Theatre and arts are about giving a voice to those who are not heard, and defending what we believe is just and right… That is why for me as an artist, as a theatre practitioner, I boycott every relation with Israeli artists or academics or politicians… Continue reading

Theatre director Jonathan Chadwick: BDS crucially important element in resistance

Jonathan Chadwick – artistic director of Az Theatre, and a Pledge signatory – has written a blog post about his recent trip to the West Bank, which we think is worth sharing:

I went to Palestine on Saturday 7th February and came back on Sunday 15th February. I failed to get into Gaza to pursue the work on War and Peace.

Caryl Churchill and I worked on her recent play, Love and Information, at Ashtar Theatre. The British Council accommodated us. The Royal Court Theatre provided finance for the translation. We paid for the travel and did the work for free. It was our contribution, like planting a play in Palestine! Continue reading