Palestinian artist, curator and poet Ashraf Fayadh is serving an eight year term in a Saudi jail, sentenced to receive 800 lashes for alleged apostasy. Here a member of the Artists for Palestine UK collective reviews the significance of this alarming case.
In March 2016, Israel continued its assault on Palestinian media organisations by closing down the TV station, Palestine Today, and arresting some of its staff. The British government, so vocal at other times in its defence of ‘democratic values’, responded only with silence. The APUK collective sent this letter to the Foreign Secretary, Philip Hammond, to request that he apply the principles that apparently underpin his government’s domestic policy, to relations with Britain’s allies overseas. We await a reply.
Discussion with The Freedom Theatre from Jenin
As the Freedom Theatre’s first ever UK tour draws to a close, we are proud to be able to post a short film (27 minutes) offering insights into the experience of members of the company, and also the audiences who have flocked to see The Siege at 10 venues from Manchester to Hastings, Colchester to Glasgow, where the tour ends on June 20.
The play tells the story of a group of armed men who sought sanctuary in arguably the world’s holiest site, the Church of the Holy Nativity, in Bethlehem in 2002. Based in Jenin refugee camp in the West Bank, Freedom Theatre rose out of the resistance to Israeli occupation, survived the brutal killing of its founder Juliano Mer Khamis, and continues to exemplify Palestinian cultural resistance in the face of intimidation and harrassment, which even followed it to the UK.
Filmed at the post-performance panel discussion after their first show at London’s Battersea Arts Centre on May 19, the video makes inspiring viewing for supporters of Palestinian artistic expression, whether or not they have seen the play itself. Continue reading
My name is Abdelfattah Abusrour. I am director of Alrowwad cultural and theatre training society, which I founded with a group of friends in 1998 in Aida refugee camp in Bethlehem, Occupied Palestine, where I was born, to create a safe space of beautiful expression, a philosophy that I call beautiful resistance against the ugliness of occupation and its violence… and to help our children and youth to see their potential as change makers, without needing to carry a gun and shoot everybody else…
In May 2002, Alrowwad theatre centre was vandalised by the Israeli army. They broke our video cameras and computers, and emptied oil and acrylic painting tubes all over the space. During our tours in the West Bank, many checkpoints forbid us passage with our theatre or dance shows and our play bus. We wait for hours, sometimes without being allowed to pass south to Hebron or to the north. No access is granted to Gaza, to East Jerusalem or 1948 Palestine.
Theatre and arts are about giving a voice to those who are not heard, and defending what we believe is just and right… That is why for me as an artist, as a theatre practitioner, I boycott every relation with Israeli artists or academics or politicians… Continue reading
Jonathan Chadwick – artistic director of Az Theatre, and a Pledge signatory – has written a blog post about his recent trip to the West Bank, which we think is worth sharing:
I went to Palestine on Saturday 7th February and came back on Sunday 15th February. I failed to get into Gaza to pursue the work on War and Peace.
Caryl Churchill and I worked on her recent play, Love and Information, at Ashtar Theatre. The British Council accommodated us. The Royal Court Theatre provided finance for the translation. We paid for the travel and did the work for free. It was our contribution, like planting a play in Palestine! Continue reading
Jonathan Chadwick is artistic director of Az Theatre:
The aim was to visit my colleagues in Gaza in order to pursue our project to create an original new Arabic stage adaptation of Tolstoy’s War and Peace in Gaza. Now it looks quite unlikely that I will get permission from the Israelis. But I will still be going to the West Bank.
… Theatre for Everybody in Gaza have produced a good Arabic translation of a stage adaptation that was produced in the 1950 in Germany. We have presented two events as benefits to finance the work. Both events were at Rich Mix. One in September and the other in January. At both these events there were readings of stage adaptations of Tolstoy’s works and skype conversations with our colleagues in Gaza.
The work in Gaza has been held up by the recent ‘war’ and the subsequent ‘peace’. The situation there is dreadful. We thought that if I visited Gaza and worked with Theatre for Everybody it would get things moving and it would help to break down the isolation they feel.
He will be joined by playwright Caryl Churchill: Continue reading