We are alarmed that students at Wadham College and St. Peter’s College, Oxford have condemned trailblazing anti-racist film director Ken Loach by applying the discredited and discriminatory IHRA definition of antisemitism to quotations which they have taken out of context and which Loach has clarified comprehensively.
These moves are part of a wider attempt across the UK and abroad to use the IHRA to silence discussion of Britain’s well-documented historical role in the ethnic cleansing of Palestine, as well as its ongoing support for Israeli apartheid, occupation and settler-colonialism. Without openly discussing and reckoning with this history, we cannot hope to alter its course.
Ken Loach’s work has, over decades, consistently exposed inhumanity, inequality and injustice, from Cathy Come Home (1966) and Kes (1969), to I, Daniel Blake (2016). His award winning films have shone a light on the struggles against fascism in Spain, austerity in Britain, British colonial rule in Ireland and movements for justice in Latin America.
Yesterday #IStandWithKenLoach was trending on Twitter. It is heartening to see such expressions of support for the celebrated director who has stood with so many others.
As dozens of artists wrote in a statement of support for Ken Loach on Monday: ‘We cannot fight racism, including antisemitism, by demonising and silencing supporters of Palestinian rights.”
Artists for Palestine UK