The Royal Shakespeare Company, the fashion label and the IDF

Artists for Palestine UK is dismayed to learn of  the Royal Shakespeare Company’s collaboration with the US fashion label Alice + Olivia on “a licensed apparel collection inspired by Shakespeare’s literary works”. A + O  is a label that declared itself “in support of Israel” while Israel was indiscriminately bombing civilians in Gaza and had already killed hundreds of children. As the death toll rose, the label hosted a fund-raising event for US Friends of the Israeli Defence Force, designated ‘official US partner’ by the Chief of Staff of the Israeli military. The RSC’s relationship with Alice + Olivia was brokered  by  Brandgenuity, a licensing and marketing company which also declares its ‘proud support’ for Israel. From October, Alice and Olivia’s collection is on sale in its stores, crediting the RSC.  

RSC alumni have called on the company to change direction. Today, following Artists for Palestine UK’s findings and the subsequent backlash from artists, The Stage reports that RSC artistic directors say they will convene a special meeting of its ethics committee.

Playwright Caryl Churchill says,  “Come on RSC, you say you support equity and justice. How have you blundered into an involvement with this company that states its support for Israel and the IDF while they commit extraordinary atrocities?”

Actor Paapa Essiedu says, “When the RSC cut its sponsorship links with BP in 2019, it said it would only enter partnerships that reflected its integrity. I am disappointed that it is not sticking to that principle. Genocide is being committed on the Palestinian people by the IDF. It should be out of the question for the RSC to maintain links with companies that fundraise for and support this.”

The RSC prides itself on its support for human rights. It has been ‘humbled and honoured’ to welcome the Ukrainian Theatre Studio of IDPs to Stratford. Its policies declare a commitment to ‘equity, diversity, justice and inclusion in everything we do’. Yet that commitment has not been extended to Palestinians. 

Last month Amnesty International called on public institutions and companies to ‘live up to their obligations under international law’ to ‘put an end to the genocide of Palestinians in the Gaza Strip’. “The public at large,” said Amnesty, “must demand that they do so”: “the actions of everyone must match the gravity of the situation, amidst a staggering loss of Palestinian lives.”

Actor David Calder says,  “I’m aware as an Associate Artist of the RSC that we have a declared commitment to upholding’ human rights’. However, its collaboration with fashion label Alice and Olivia who help raise money for the IDF flies in the face of this and makes a mockery of it. The IDF stands credibly accused of Genocide and as such the RSC is open to the accusation of complicity. Hopefully it will withdraw immediately from this appallingly compromised relationship.”

Artists for Palestine UK commented:   “We are relieved to hear that in response to complaints from artists, the RSC leadership has said it will take this ‘really important topic’ to its ethics committee. Sustaining a relationship with companies that stand ‘proudly’ in support of Israel and raise funds for its army cannot be regarded as normal business practice. In order to live by its own principles, the RSC can now show leadership by adopting a policy that says it will not work with, nor receive money from, bodies that advocate for a state that is in total breach of international law and is carrying out a genocide. The RSC’s processes of due diligence must reflect this commitment.”

Model Ethical Policy for Cultural Institutions 

What are the responsibilities of a British cultural institution, organisation or charity when the gravest of crimes are being committed in plain sight in Gaza? What meaningful steps can a cultural institution take at a time when arts workers, artists and communities feel frustrated and distraught at their collective failure to prevent genocide?

In September Amnesty International published a report that called on public institutions, as well as states, to live up to their obligations and responsibilities under international law and standards with regards to Israel’s genocide, military occupation and system of apartheid against Palestinians. Amnesty adds: 

“The public at large must demand that they [institutions] do so … The actions and commitments of everyone – states, public institutions, companies and the public – must match the gravity of the situation amidst a staggering loss of Palestinian lives, [and] the irreparable damage caused to Palestinians”.

Palestinian civil society has for over two decades consistently called on international cultural workers and cultural organisations, at a bare minimum, to abide by the principle of ‘do no harm’, and crucially, to end the complicity of their own governments and institutions in Israel’s crimes.

Arts institutions in Britain can show leadership by embedding ethical policies that uphold a commitment to “universal values and international obligations that are the foundations of the global multilateral system” (Amnesty). Taking this action now will help build the resilience of the organization, protect human rights for all, and positively impact the cultural climate in this country for years to come.

While the vast majority of British arts and culture organisations have relatively transparent (though often inadequate) policies relating to inclusivity, anti-discrimination, accessibility, and sustainability, very few have incorporated a basic respect for international law into these policies. In practice, this means that while racist, homophobic or otherwise discriminatory behaviours can be rooted out, individuals or bodies that are complicit in or that justify war crimes, systemic racial violence, genocide, or apartheid are tolerated, and their positions effectively normalised.

The model policy below, developed by the Palestinian Performing Arts Network, shows how cultural institutions can make clear that they are committed without exception to a  practical and consistent commitment to universalist values.

We believe this model must be the absolute baseline for organizations – the very least they can do – given Israel’s genocide in Gaza, its underlying system of apartheid against the Palestinian people, and the damage Israel’s impunity is doing to global legal norms and protections.

Model Policy on Ethical Programming and Partnerships for Cultural Institutions

This cultural institution commits to uphold universal principles of human rights and international law, to refrain from doing or contributing to undue harm, and to ensure basic ethical standards.

Based on this:

  1. Programming: This institution will not include in its programming artists, cultural groups/bands/orchestras, or cultural products that are produced by entities that are verifiably complicit in, advocate for, or whitewash grave violations of international law (such as war crimes, crimes against humanity and genocide), racism or racial violence.
  1. Sponsorship & Funding: This institution will not accept sponsorship/partnership or other forms of funding from individuals, corporations or other entities that are verifiably complicit in, advocating for, or whitewash grave violations of international law (such as war crimes, crimes against humanity and genocide), racism or racial violence.

*photo credit: Palestinian Performing Arts Network

Olivia Colman, Javier Bardem, Mark Ruffalo Among 1,300+ Refusing Collaboration with Israeli Film Institutions Complicit in Gaza Genocide

In a historic move, Oscar, BAFTA, Emmy, Cannes, Berlin, Venice, César, Goya, and Peabody Award winners are among more than 1,300 filmmakers who launched a pledge Monday saying they refuse to work with Israeli film institutions “implicated in genocide and apartheid against the Palestinian people.”

Actors Olivia Colman, Aimee Lou Wood, Susan Sarandon, Mark Ruffalo, Riz Ahmed, Tilda Swinton, and Javier Bardem, and writer-directors Yorgos Lanthimos, Asif Kapadia, Ava DuVernay, Emma Seligman, Boots Riley, Adam McKay, and Joshua Oppenheimer say: “In this urgent moment of crisis, where many of our governments are enabling the carnage in Gaza, we must do everything we can to address complicity in that unrelenting horror.”

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Victory for staff as Royal Ballet and Opera pulls Israel production

  • 182 members of The Royal Ballet and Opera said they “reject future performances in Israel”. They stand in solidarity with performer who protested with Palestinian flag.
  • CEO announces decision to cancel 2026 production in Israel.

The Royal Opera has pulled its planned 2026 production run of Tosca at the Israeli National Opera (INO) in Tel Aviv. The website of the INO has now dropped all reference to the Royal Opera House. 

Artists for Palestine UK has learned that Alex Beard, CEO of the Royal Ballet and Opera told staff on 1st August that “we have made the decision that our new production of Tosca will not be going to Israel”.

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Caryl Churchill Pulls Donmar Play Over Barclays’ Role in Arming Israel

  • Caryl Churchill walks away from Donmar Warehouse over its sponsorship with Barclays
  • Stephen Dillane, Samuel West, Bilal Hasna among artists backing Churchill’s decision, urging Donmar to drop the bank
  • Move follows growing pressure on UK arts institutions, including Sadler’s Wells and the Almeida, over ties to complicit funders

Caryl Churchill, one of Britain’s greatest living playwrights, has withdrawn a play from the Donmar Warehouse upon learning that the theatre receives support from Barclays, which invests over £2 billion and provides £6.1 billion in loans and underwriting to nine arms companies supplying weapons to Israel.

Speaking about her decision, Caryl Churchill said:

“Theatres used to say they couldn’t manage without tobacco sponsorship, but they do. Now it’s time they stopped helping advertise banks that support what Israel is doing to Palestinians”

Her action has been met with widespread support. Over 300 theatre workers have signed an open letter, published in full below, backing Churchill and urging the Donmar Warehouse to cut ties with the bank.

Actors Alex Lawther, Asif Khan, Maggie Steed, Harriet Walter and Juliet Stevenson say they share Donmar Warehouse’s mission to foster “a more empathetic society”, and this is precisely why “they can no longer overlook Donmar’s relationship with Barclays, which enables Israel’s genocide, military occupation and apartheid against Palestinians”.

Barclays currently invests over £2 billion and provides £6.1 billion in loans and underwriting to nine arms companies whose technology and weapons are used in Israel’s brutal assaults on Palestinians. 

Barclays is also the only UK-headquartered bank that acts as a ‘primary dealer’ of Israel government bonds, directly helping the state raise funds to finance the mounting cost of its military assaults.

The bank’s role in other human rights and environmental harms has also come under fire. Last year, Barclays was named the largest financier of the fossil fuel industry in Europe for the eighth consecutive year.

Directors Richard Eyre, Ian Rickson, Maxwell Stafford-Clark, writer Simon Stephens and theatre-maker Tim Crouch are among those who say that “Donmar Warehouse’s relationship with Barclays directly contradicts its commitment to “keep environmental responsibility at the heart of our work”’.

Churchill’s withdrawal comes amid growing calls across the UK cultural sector for institutions to cut  their ties to organisations complicit in Israel’s genocide against Palestinians in Gaza. 

  • In May 2025, 435 theatre and arts professionals demanded that the Almeida Theatre end its relationship with Bloomberg Philanthropies. 
  • Since November 2023, Sadler’s Wells has faced growing pressure over its sponsorship from Barclays, whose Chairman Nigel Higgins also chairs Sadler’s Wells Board.
  • In September 2024, over 1,000 artists and Islington residents, including Maxine Peake, Juliet Stevenson, and Jeremy Corbyn MP, signed an open letter demanding Sadler’s Wells sever its ties with the bank.
  • Later that month, dancer Eve Stainton withdrew from the Sadler’s Wells East launch programme, citing “moral objections” to its Barclays sponsorship.

Culture Workers Against Genocide, who co-organised the open letter, said:

“There is an ethical dissonance amongst arts leaders on six-figure salaries partnering with corporations whose actions contradict the values their institutions claim to uphold. Caryl Churchill’s principled stand reflects the growing refusal among artists to stay silent while the arts are used to launder the reputations of corporations complicit in genocide.”


Read the letter in full:

Dear Tim Sheader and Henny Finch,

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Leading lights demand Almeida Theatre cut ties with Bloomberg over war crimes

Jack Reynor, Billy Howle, Zoe Telford and Caryl Churchill are among leading lights of theatre and screen demanding Islington’s Almeida Theatre end its partnership with Bloomberg Philanthropies over its “links to human rights violations and war crimes” and in particular, its “direct and ongoing support for illegal settlements” in the occupied Palestinian West Bank.

In the letter published below, 435 theatre and arts professionals, forty of whom have current or historic links to the theatre – including former associate director Ben Harrison, actors Tamara Lawrance, MyAnna Buring and Hayley Carmichael, composer Jocelyn Pook and writer David Farr – say the issue was raised privately with the theatre months ago, but that the theatre failed to act on the information it was given.

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‘A Licence to Kill’: UK government to face High Court over arms to Israel

Award-winning actor Juliet Stevenson has released the short film, ‘A Licence to Kill’, calling on the UK government to stop providing Israel with the weapons it uses to commit what Amnesty International described last week as a “live streamed genocide” against Palestinians in Gaza.

For nearly two years, the government has avoided accountability for its actions. Now, Global Legal Action Network (GLAN) and leading Palestinian human rights organisation Al-Haq, will present their challenge to government policy at the High Court in a four-day hearing, beginning on 13th May.

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Dozens of ex-Eurovision contestants demand exclusion of Israel from contest

Britain’s Mae Muller and Bianca Nicholas joined Charlie McGettigan, Salvador Sobral and dozens of former Eurovision contestants in calling on the European Broadcasting Union (EBU) to ban Israel’s public broadcaster KAN from the popular song contest.

Over 70 previous participants, who include songwriters, lyricists and other creatives from across Europe, accuse KAN of being “complicit in Israel’s genocide against the Palestinians in Gaza”.

In a letter published below ahead of the Eurovision finals on May 17, the artists say “by continuing to platform the representation of the Israeli state, the EBU is normalising and whitewashing its crimes”.

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Turner Prize winner’s inspirational acceptance speech

Artist Jasleen Kaur’s acceptance speech was delivered at the Turner Prize award ceremony at Tate Britain and broadcast live on BBC News Channel, on 3rd December 2024.

‘To the artists, the poets, the parents,
the students who show me the slow and meticulous
work of organising and world building

the folk who orient their lives towards
freedom in practice

not theory

who advocate for life, not death.

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Tate, Cut Your Ties With Genocidal Israel

As the atrocities mount up, the silence of UK cultural institutions grows more deafening, the double standards ever more glaring.

In March 2022, a fortnight after Russia invaded Ukraine, Tate cut ties with billionaire donors and Tate International Council members, Viktor Vekselberg and Petr Aven. ‘We will not work with or maintain relationships with anyone associated with the Russian government,’ said Tate.

On Palestine, Tate has made no such statement. On the contrary, it has kept up its relationships with donors and organisations associated with the Israeli government. It has remained silent on Israel’s total destruction of Gaza. 

Now, in the lead up to this year’s Turner Prize awards ceremony, more than 60 artists closely associated with Tate (including three out of four of this year’s Turner Prize nominees, two of its judges, and many former prize winners and nominees) have signed an open letter. Supported by a thousand further signatories in the arts, it calls on Tate’s leadership to cut ties with organisations that are deeply complicit with the Israeli state. 

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Genocide, With The United Kingdom’s Blessing

Khalid Abdalla Calls On The Government To End Its Complicity.  

As Israel systematically eradicates the last remnants of healthcare in Gaza, human rights defenders have screened a film on the walls of St Thomas’ Hospital, London.  Actor Khalid Abdalla speaks the words of surgeon Ghassan Abu-Sittah, who will never be able to unsee the horror that has been inflicted on Palestinians.

Watch the video here:

The film highlights the testimonies of doctors who have returned from Gaza – who have survived the deliberate targeting of hospitals and health facilities, who are not among the 986 medical workers killed by Israeli forces. Those who remain are witnesses to a situation just as harrowing as that described by Dr Abu-Sittah. 

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Top filmmakers urge New York Film Festival to drop sponsor complicit in Israel’s war crimes

Mike Leigh, Julia Loktev, and James Schamus among dozens of filmmakers calling on NYFF to cut ties with Bloomberg Philanthropies over links to Israel’s illegal settlements in the occupied Palestinian West Bank.

Ahead of the opening of the 62nd New York Film Festival this evening, dozens of this year’s featured filmmakers, including Mike Leigh (Hard Truths), Julia Loktev (My Undesirable Friends: Part I – Last Air in Moscow), Neo Sora (Happyend), Basel Adra, Hamdam Ballal and Yuval Abraham (No Other Land), Truong Minh Quý (Viet and Nam) and Carson Lund (Eephus) have published an open letter saying that in the face of Israel’s near year-long “brutal onslaught of killing, maiming and displacement” of Palestinians in Gaza, they are “acting collectively towards ending the complicity of our institutions”.

The signatories, who include directors, producers, actors, editors, and other film professionals represented at NYFF, urge the festival to end its partnership with Bloomberg Philanthropies which they say is
“directly implicated in facilitating settlement infrastructure in the West Bank and denying Palestinians their basic rights.”

The statement, published today in Screen Slate, says that over the past year, the Bloomberg-Sagol Center for City Leadership program has trained mayors and city officials who represent
“more than 40 West Bank settlements, which were found illegal by the International Court of Justice in July 2024.” 

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Top Artists Join Campaign to End UK Arms Sales to Israel

Award winning British artists – Juliet Stevenson, Khalid Abdalla, David Calder, Charlotte Church and Maxine Peake – have released a series of short films, ‘Stop Arming Israel’, calling for “an end to Britain’s role in killing Palestinians”, ahead of the UK elections.

The five hard-hitting films are the result of a collaboration between Artists for Palestine UK, Global Action Legal Network (GLAN) and Palestinian human rights organisation Al-Haq. GLAN and Al-Haq have launched a legal action against the UK government to suspend weapons sales to Israel.

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Leading Artists to Keir Starmer: Commit to Stopping Arms Sales to Israel

Over 100 leading cultural figures in Britain, including Oscar and
BAFTA-winners, have called on Labour leader Sir Keir Starmer to commit to stop
arming Israel if elected Prime Minister on 4 July.

Signatories to the letter include Oscar-winning actor Riz Ahmed and director
Asif Kapadia, singer Paloma Faith, actors including BAFTA-winning Steve
Coogan, Miriam Margolyes OBE, Paapa Essiedu, Dame Harriet Walter, Joe
Alwyn and Lena Heady.

The call comes amid an escalating humanitarian crisis in Gaza, which
recently saw Israeli strikes on a designated ‘safe area’ in Rafah kill over 50
civilians. Israeli Prime Minister Benjamin Netanyahu is facing
arrest warrants from the International Criminal Court (ICC) for war crimes and
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UK cinemas must refuse Israel-sponsored film festival

Picturehouse and Curzon cinemas have already refused to host the festival. The festival has also been refused at the Cines Girona, Barcelona. We believe there is no moral or ethical justification for a British cultural venue to do ‘business as usual’ with any organisation that is sponsored by the Israeli regime while it intensifies its genocide against 2.3 million Palestinians in Gaza.

To the Trustees of the Phoenix Cinema, Everyman Cinemas Hampstead and Barnet, and JW3

We write as filmmakers, arts workers, London and Brighton residents and audiences who are ardent supporters of independent cinema.

We are disturbed and horrified to find that Seret, the UK-Israeli Film Festival is being held at several cinemas, co-sponsored by the Israeli government.

Amnesty International has designated Israel as a regime of apartheid against the Palestinian people. In February 2024, the International Court of Justice ruled that accusations of genocide of the Palestinian people in Gaza were “plausible”. 

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Boycott called off as Bristol’s Arnolfini apologises for anti-Palestinian censorship

  • Bristol’s iconic Arnolfini gallery apologises “without reservation” for cancelling Palestinian events amid “ongoing devastation and loss of life in Gaza, the West Bank, East Jerusalem and Israel”

  • Arnolfini: “We believe that freedom of expression and intellectual freedom are vital and must be fully reflected in our policies and practices.” 
  • Bristol Artists for Palestine welcomes the statement, calls off the artist-led boycott of the venue.

The boycott of an iconic British arts venue has ended after it apologised for its anti-Palestinian censorship. The Arnolfini in Bristol said it was “truly sorry” for cancelling film and poetry events curated by Bristol Palestine Film Festival in November last year, and committed to platforming Palestinian voices.  

In response to the cancellations, more than 1,400 artists – including prominent Bristol artists such as Geoff Barrow and Adrian Utley, Massive Attack’s Robert del Naja, writers Alice Oswald, Nikesh Shukla, Shon Faye, Travis Alabanza and Rachel Holmes – had announced they would refuse to work with the venue in protest at “the censorship of Palestinian culture”. The artists demanded the gallery “commit to freedom of expression, without exception for Palestine” and “genuinely engage with Bristol’s arts community to rectify the harm it has caused”.

Today, in a statement, Arnolfini acknowledged the detrimental impact the cancellations had had, and addressed artists, audiences, and Bristol Palestine Film Festival, saying it was “truly sorry”. The organisation also affirmed its commitment to freedom of expression, saying:

“During this overwhelming humanitarian crisis, the voices of the victims need to be heard. (…) We believe that freedom of expression and intellectual freedom are vital and must be fully reflected in our policies and practices. We are sorry that we did not provide a platform for Palestinian voices at such a crucial time.”

The organisation said it will be publishing new policies and reviewing internal governance processes in light of what had happened.

Bristol Artists for Palestine welcomed Arnolfini’s apology. They said the statement provided a resolution to the artists’ demands, and the group announced an end to the artist-led boycott of the venue.

They went on to say:

“We call for all arts institutions, galleries, venues, festivals, universities and funders to uphold the same consistent freedom of expression with no exception for Palestine that Arnolfini has committed to support, and to formally recognise the devastation being wrought by Israel as plausibly amounting to genocide, as the Arnolfini has done.”

Artists for Palestine UK said:

“We welcome Arnolfini’s statement and applaud the hard work of those involved in the mediation process. 

We hope this sends a clear message to other cultural institutions.  Amid a repressive political and media climate, cultural institutions are too often failing in their duty to uphold freedom of expression and to protect against discrimination.  

At a time of unprecedented dehumanisation of Palestinian people, artists and audiences expect cultural spaces to amplify voices that articulate the realities of Palestinian experiences and aspirations, as vital contributions to cultural understanding and to our shared humanity.”

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), a founding member of the Boycott, Divestment and Sanctions (BDS) movement, said:

“We salute the artists, culture workers and human rights defenders in Bristol and beyond who took strategic, principled and persistent action in boycotting Arnolfini until their goals were met.

All British arts organisations and venues should take note that targeted, grassroots mobilisations are a potential consequence of racist anti-Palestinian censorship.”

Last month HOME Manchester announced it would reinstate the event “Voices of  Resilience” that it had cancelled in response to pressure from a pro-Israel pressure group, after artists withdrew their work en mass from the gallery. 

London’s Barbican Centre has been subject to a mass sit-in, and artists and collectors have withdrawn six art works from the current exhibition, ‘Unravel’, in protest at the cancellation of the London Review of Books lecture series that included a talk by Pankaj Mishra, “The Shoah after Gaza”. 

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Leading artists disengage from British venue that censored Palestine

Over 1000 artists announce refusal to work with Bristol’s Arnolfini after censorship of Palestinian film and poetry

  • Top Bristol artists among those accusing Arnolfini of censorship
  • Silencing Palestinian culture “inhumane” amid mass killings in Gaza

  • 1100+ artists say they refuse to work with Arnolfini until it “rectifies the harm it has done”

Portishead’s Geoff Barrow and Adrian Utley, Massive Attack’s Robert del Naja, writers Alice Oswald, Nikesh Shukla, Shon Faye, Travis Alabanza and Rachel Holmes are among many of Bristol’s artists who have written a letter accusing the iconic Arnolfini International Centre for Contemporary Arts of “censorship of Palestinian culture”. 

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Leading figures urge Imagine Dragons to cancel Baku and Tel Aviv shows


US pop group Imagine Dragons have been urged to drop Baku and Tel Aviv from their tour dates this month, over serious violations of human rights by the Azerbaijani and Israeli governments respectively.

Now prominent figures are calling on the band to act on their stated commitment to inclusion and human rights by cancelling the concerts.

Here is their letter in full:

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Influential cultural figures around the world praise Barcelona’s suspension of ties with Israel

Actors Mark Ruffalo, Susan Sarandon, Viggo Mortensen and Alia Shawkat, authors Arundhati Roy, Naomi Klein and 2022 Nobel laureate for literature Annie Ernaux are among more than 50 public figures to welcome the mayor of Barcelona’s suspension of ties with official Israeli institutions. 

Last week, Ada Colau, the mayor of Barcelona (pictured above), announced the suspension which includes canceling Barcelona’s twinning agreement with Tel Aviv, until “Israeli authorities end the systematic violation against the Palestinian population and fully comply with international law”. 

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Leading artists oppose Barbican’s partnership with apartheid Israeli embassy

More than fifty artists, including poet and writer Benjamin Zephaniah, actor Miriam Margolyes, DJ The Blessed Madonna and Turner Prize co-winning artist Tai Shani have called on London arts venue the Barbican Centre to end its partnership with the embassy of Israel.

The Barbican is due to host the Jerusalem Orchestra East & West this Sunday 5th February, in an event organised “in collaboration with the Embassy of Israel in the UK”. 

Writers China Miéville, Rachel Holmes and Pauline Melville are among those saying they “doubt the Barbican would have partnered with the South African embassy during its apartheid era”, citing reports by leading human rights organisations, including Amnesty International and Human Rights Watch, that designate Israel an apartheid regime.

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